Yeah baby, If you’re gonna telecine your Super 8 summer trip reels, why not do it using the RED Digital Cinema Camera at glorious (or is it gruesome) 4K. All those scratches and nicks blown up to 4K….Yummm. Well I guess film restorers will be back in business. The rig is a prototype made by Movie Stuff Workprinter XP specifically for the RED camera. The Workprinter’s “trigger out” interfaces directly to the Red’s GPI input to trigger capture in stop motion mode up to 30 frames per second in the Red’s 4K mode). I wonder if they’re gonna do a 16mm version of this rig as well. Now that would be a cheap 16mm telecine :-).